While Scott was interested in returning to the franchise, it did not work out due to the director's busy schedule. He was replaced by Alex Thomson. The scene in which the EEV is moved by a crane-arm also a miniature was created by projecting a video of actors onto pieces of cardboard and then compositing them into the scene as silhouettes against the matte painted background. Refusing to do so, Ward was fired. Fearful of an impending strike by the Writers Guild of America , Brandywine asked Gibson to deliver a screenplay by December. Giger , was contacted to generate new sketch ideas. Eventually Anchorpoint and the U.
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Ferguson's work was not well received in the production, particularly by Sigourney Weaver, who felt Ferguson made Ripley sound like "a pissed-off gym teacher". Other CGI elements include shadows cast by the rod puppet alien, and airborne debris in outdoor scenes.
As a result, the rod-puppet allowed for a fast alien that could move across surfaces of any orientation and be shot from any angle. Brandywine rejected Red's script for deviating too much from their story, and eventually gave up on developing two sequels simultaneously.
Richard Edlund 's Boss Film Studios was hired for compositing and other post-production effects.
Upon arrival of Ripley, and with increasing suggestions of the Alien presence, the monk inhabitants believe it to be some sort of religious trial for their misdemeanors, punishable by the creature that haunts them.